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yes, yes, Iโm getting to it.
Fact is, there are no promises here. My right, dominant hand will never be the same. We triaged a degenerative condition, we arenโt healing an acute injury. This is so, so much harder on my brain, just as a framework for recovery at all.
Right after surgery, I spent two weeks with my lower arm in a cast.
The incision was above the elbow, but for the nerves to heal, we had to hold my wrist still. You can really yank on your radial nerve by bending your wrist โ donโt try it, it feels bad.
So I had a huge bandage on my bicept and a cast on my forearm.
I remember waking up from surgery and mentally reaching out to see what state my hand was in. I could feel my fingers moving a little and briefly hoped theyโd gotten the growth out without severing the nerve!
But they didnโt. That wasnโt a possibility and I knew it.
But the thing is, my wrist and fingers still had all of the flexion muscles working fine – I could curl my fingers and thumb into a weird fist, and I could bend my wrist down with full force ( tho I didnโt try till the cast came off) – because those nerves were unaffected. I just couldnโt uncurl anything. And for about six months that was the state of things.
After getting the cast off, I got fitted for a thermoplastic brace. The brace holds my wrist in mild extension, because you need your wrist angled up a bit to give you the most power in your grip. I also got a fabric brace with custom-bent metal stays to do the same thing, but the thermoplastic one is stronger and better able to stabilize against my flexion muscles. For six months I lived, breathed, ate, drank, slept, showered, spent 100% of the time in a brace. If I wanted my fingers to uncurl, I used my other hand or the environment to do it. if I wanted to hold my partnerโs hand, it was a three-hand process. And for most of that time I didnโt use my partially paralyzed dominant hand to do anything more glamorous than stabilize whatever my left hand was trying to do.
I canโt really talk about this elegantly. It fucking sucked. Everything – and I mean everything – was suddenly harder. Switching dominant hands is a years long thing and the science I read on the subject says no one ever does it fully, not even after decades of living with an amputated dominant hand. There was no chance of settling in in that first six months and getting suddenly good at brushing my teeth with my left hand. Like, despite doing that multiple times a day for the past year Iโm definitely still not good at it!
Everything was suddenly disorienting. What hand opens the door? What hand turns the key in t he lock? Wait, which way locks the door again? I got confused about what way to rotate lids to get them on and off because I was doing it all backwards.
And then thereโs all those comforting hobbies I listed above. They all became instantly fraught. Drawing. Writing. Typing. Sculpting. Crafts. Collage. Gardening. Baking. Any and all therapeutic cleaning. Using a broom is hard! And all of the floor stretches and home yoga and such that I had been doing for self maintenance before this surgery suddenly was overwhelmingly complicated, because my right arm was a flimsy husk of its former self AND was in a fixed wrist position due to the brace. How, pray tell, does one downward a dog in this condition.
Pouring the kettle was complicated.
Cutting up my own food was complicated.
Using my phone was complicated.
Getting dressed was complicated.
All my shoes now are slip-ons; shirts and coats that donโt fit over inches thick braces and their attendant padding just havenโt been worn. I stopped driving – I couldnโt put my right hand on thes steering wheel without the help of my left. My partner still has to open many bottles for me. Itโs been a big shift.
I felt like I had to give up a LOT of independance, way more than I expected, and suddenly I had no idea what hobbies were or if any human had ever enjoyed one in the history of the world. Anything that required my participation was extremely, infuriatingly, disorientingly new.
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one year of arm stuff – part 9 – accessibility is a thing though! what about adaptive devices?
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posted to: lifeOkay so this is as good a place as any for this disclaimer: I am sharing my specific personal experience with disability, not speaking to the experience of everyone with any related or similar-sounding disabillities. I have lived with this particular disability for one year; i do not have a lifetime of experience, and additionally, I have been told by my medical team that I need to keep pushing myself to use my recovering arm as much as I can, to help my brain and my new nerves connect properly. I have not had the time and am not supposed to go all in on adapting my whole life to this condition, as we expect my condition to change. This is a unique and different experience of the loss of use of oneโs dominant hand and cannot be treated as universal. People are experts in their own conditions and experiences and donโt you DARE use what I write here to make another disabled person feel like shit.
nerve-graft georg is an outlier adn should not be counted
But also I am faced every day with the infinite depths of my own internalized ableism, and I know for certain that it laces its poison into everything I do and every thought i have about what I am going through. If I am putting things in this essay that actively misrepresent you, another disabled person, please do reach out and tell me so I can try and make it better. the balance between my personal experience and the general inclination of the public to universalize any new fact they learn is a tough one to keep always.
Okay, with that out of the way, a few thoughts on adaptive tools, lifestyle changes, etcetera:
They are at least 50% awful, marginally useful, hugely frustrating, and deeply paternalizing and condescending.
There are also some real miracles out there, amazing devices and tools and software and techniques and so forth!
And almost none of it is easy to use right out of the gate. Everything has a learning curve. I have constantly been doing the math on how much time I can afford to spend on learning something vs how much time it will save me once i know how to use it, especially in the changing context of my condition and recovery.
For example: one-handed typing.
Since I knew from May that I would be going into a period of left-hand-dominantness, I had five months to start training myself to function with my left hand. One of my biggest concerns was typing. Prior to my fingers growing weak, I had been a 140word-per-minute typist. I could touch-type at a high speed with good accuracy still and it was a huge boon to me professionally in my admin-heavy dayjob, and personally in my text correspondence and self publishing and self promotion practices online. I would have said I could type almost as fast as I could think.
So the first order of business was figuring out how fast I could get with just my left hand. And I started the journey down the rabbit hole of one-handed keyboard approaches.
This is where a key point from my disclaimer should come back to you: we expect my condition to change. While I may never type at 140wpm again, I did hope to bring my right hand back to the keyboard eventually. And I didnโt want to throw out all the touch typing knowledge that I already had – the left hand wrangles a LOT of typing and a lot of keyboard shortcuts and being able to do those without looking still had some benefit.
So right away I knew I wasnโt interested in a bespoke keyboard layout.
Which is good, because as far as I could tell, they cost around $2k canadian on average.
And they all have their own unique different key layouts.
And they all seem to be made by companies less than ten years old, meaning thereโs no way to know if theyโll exist to make a replacement if mine is lost or broken in the future.
And actually this all seems really fucking stressful? No transferrable learning between them all, twenty different layouts out there, and almost none made by major reputable keyboard companies? With something as core a skill to me as typing, the thought of relearning it from scratch only to have the tool I learned go obsolete, locking me into a cycle of having to restart over and over and over againโฆ
And additionally, I also wanted to be able to type at a friendโs house on their keyboard. I want to be able to function on the standard keyboards I can expect to encounter out in the world. That felt infuriating to give up!
But then again, some of these layouts looked ingenious. If this was something I was at all able to think of as a fun experiment, I would have loved trying a few different layouts, especially the chord typing stuff. That sounds so smart and efficient! So ergonimic! So cool! Such a fun thing to investigate!
But financially and emotionally I did not have the budget for that angle.
So I committed to learning to type one-handed on a QWERTY keyboard. Iโm not the first and thereโs a lot of great resources out there including typing training! And one thing people talked about in their discussions of this was wanting smaller keyboards, so that it was easy to reach from A to P with a single hand. That made some sense to me, so I started looking into smaller keyboards.
Well the internet would love to sell me a 60% sized handbuilt custom switches beautiful keycaps gaming/mechanical keyboard! For $400+!
And it turns out thatโs actually not even solving my problem – most keyboards online labled as โsmallโ are smaller because they are missing keys (such as the numpad) not because the keys themselves are smaller and take up any less space. Trying to find a keyboard with a reasonable distance from A to P turned out to be a huge quest! In the end I settled on a Perixx mini usb keyboard; I canโt quite reach A to P with my pinkie and index fingers, but nearly, and it was better than anything else I tried.
So here you can see where despite this whole situation knocking me on my ass emotionally, Iโm still operating with both enormous privilege – I expect to recover function, so I donโt NEED to fully adapt to one-handedness; and a fair amount of internalized ableism – I donโt WANT to use the weird keyboards, I want to use the โnormalโ keyboards that everyone else uses, what do you MEAN the specialized keyboards arenโt given the same mass market support, etc.
And that, my friends, has been the arc of recovery for me. The huge emotional rollercoaster of facing this new disability; the true but HOW true fact that I will be less disabled in this way in a few years; the fear and frustration of how I interface with the world changing; the internalized ableism that resents this change and is also, and this is the kicker, extremely embarrassed by it.
Learning to type one-handed was hard. I worked hard to get to half my prior speed and my accuracy was shit and it was really hard work on my left wrist and arm. I used typing training, and when I went back to work I just sort of brute-forced it, until I was able to bring my right hand back in a one-finger hunt-and-peck way.
Unfortunately I didnโt get to focus on the typing, though, as I had to relearn how to do, as mentioned previously, everything else as well.
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With the death of cohost, I have tried to make sure to catch my favourite cohost photography folks’ new rss feeds as best I can! And seems worthwhile to share these links with you – if you find something in my photos I bet you’ll see something worthwhile in the photos that make me drop my jaw and pick up my camera(phone)!
Em Sharnoff’s delicate value contrrol and wistful compositions really work for me! See the range here:
Photos | sharnoff.ioI’m reposting a few shots below; pleaase click through to see them in situ; the albums really add something to each individual photo, I think:
Em Sharnoff is an impressive wildlife photographer too – check out this album full to bursting with beautiful captures:
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I’ve been doing studies in the Robert Bateman brand sketchbooks, which are a pretty smooth vellum surface; the oil pastel slides around wildly on them but gosh it’s fun! This drawing is maybe 7 x 7″ or so in size. Reffed my own photo.
Again I did an underdrawing with the cray-pas expressionist oil pastels – they hold a decent point and are very easy to layer over with softer brands like mungyo, haiya, or god help me sennellier.
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Did this study from a photo I took during the pandemic of a delightful vehicle we occasionally saw in our old neighbourhood. A magnetar is a very, very cool and scary space phenomenon and I extremely respect naming your ancient honda accord after it.
A couple process shots to show you the underdrawing I did in the cray-pas pastels – they’re very firm compared to the rest but I was still able to blend them a bit as you can see in the second process shot.
I did this study in the heavyweight coldpress Canson XL mixed media sketchbook; I was assuming the paper texture would hold the pastel still better than the bristol I’d been using in the Bateman brand sketchbook, and I think it did, but, only for a layer or two; by the end the pastel was very slippery and I could easily lose mydrawing if I wasn’t careful.
Speaking of drawing, since cars are a real bitch to draw, I did a full underdrawing of this in pencil crayon first to nail down all the shapes and the perspective, and it def paid off. I think the drawing as a whole stayed decently strong through to the finish as a ersult of the time I put in before adding colour; I really need to do that more often.
One thing I was trying to do with this one in particular was more blending to get custom colours. I rewatched a few Yolanda Blazquez demos to see how she gets such soft customized blended skintones, and ttarted trying her soft layering/finger blending technique here. I do think it helped and I got colours on the page I don’t have in stick form! However, yolanda uses pastelmat paper and that stuff holds the pastel still better – again, at least to a point – and she’s VERY good at putting the colour right where it goes the first time. I think one of my problems is I like to work up t o the right colour, and with pastels you do end up wit h Too Much On The Page eventually. I could be more liberal with my scraping back in future, I think.
Also, fun trick, you can do a lot with pencil crayons on top of oil pastel if you press firm enough to scrape back the pastel as you draw. That’s how I did the license plate.
I’m going to do a few more studies, trying to figure out what my favourite surface for oil pastel is. I’ve got some mi-teints paper on teh table now, and lots of printmaking rag on teh shelf nearby for further tests. Figuring out how I personally like to work in oil pastel remains a very fun quest and as my right hand regains tiny amounts of precision every day I amstarting tosee some real possibilities with this medium beyond the playful angle that’s attracted me so far.
Finally, I don’t know exactly what did it, but I seem to have ended up in a very 80s advertising painting zone with this – what would you call this vibe? Either way, accidental but fun result!
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got the gouache out again for the first time in months; arm recovery really took the fun out of it for me for a while there! but I’m feeling more myself when it comes to holding the brush again, and it was lovely to sit and do a study of the hawk I watched kill and eat a squirrel at my friend’s park birthday celebration earlier this year.
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while i am gardening this website i realize the weeding process is maybe invisible
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posted to: tech lifeAs I edit posts for spelling and grammar and tagging and layout and all these little invisible things I do to try and learn how to wrangle my website and all its content, I realize that a) this seems to kick them back into RSS “unread” status, which must be annoying..? and b) most folks will not be able to discern any difference in the post itself in most cases.
So what if each post had a potential little changelog on it for stuff like that? so when I modify it I can add a reason why? is that … interesting to anyone else? I’m likely to do it just for myself but let me know. Also, are there folks doing this in a fun way? Curious website owners want t ofind out.
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