every single post on this site – in chronological order of most recently modified

swap to chronological order of most recently posted

  • Sketchbook Wizards on Crystal Islands


    I’ve got a few iterations I’m exploring here and I’m thinking these might be worth doing full paintings of at some point.


  • New limited gouache palette


    I swatched out all my gouache tubes this weekend (a great low stakes low light activity for riding out a migraine) and then used my newly organized info to put together a limited palette.

    I keep thinking I’m going to do more urban sketching, more plein air, than i really make to get to, but whether this palette leaves my house much or not, I’m excited to challenge myself to stretch seven paints as far as i can.

    The colours:

    • permanent white, Winsor & Newton
    • permanent yellow, Holbein
    • permanent yellow orange, Holbein
    • opera, Holbein
    • perylene violet, Winsor & Newton
    • ultramarine blue, M. Graham
    • cascade green, Winsor & Newton

    I poured them into full pans and dropped in a little bit of glycerine to help them rewet better after they dry out between painting sessions. That said, the perylene violet and the opera paints are absolutely nightmarishly un-rewettable sometimes, so they both got double the glycerine that the other colours got.

    A traditional six colour palette has a warm and a cool red, yellow and blue paint; for this one, i pushed that framework a bit. Quite a bit maybe. For one, there’s no red, and I’m counting that orange as a yellow, and cascade green is my cool blue. But you can mix a pretty saturated red with magenta and orange, and cascade green mixes gorgeous purples despite the green in its name.

    I suspect it’s going to feel like a warm palette overall with some very cold greens, and I’m excited to stretch it to its limits and see what i get 🤘


  • remember to unclench your jaw


    posted to:

    watercolour, including some amazing shimmery blues gifted to me by a friend, white gouache, metallic gelly roll pens, white pencil crayons, and tense neck muscles.


  • Dragon WIP Gouache Painting


    I loved the sketch for this and the painting isn’t quite capturing it, so I’m wondering if, at this WIP stage, it might make sense to go in next with pencil crayons and see if i can’t capture more of what I’m looking for gesturally.


  • Neon Dragon


    Gouache and pencil crayon on paper. Some detail shots for the texture:

    And here’s the piece at the gouache only stage: